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・ Théâtre de l'Ambigu-Comique
・ Théâtre de l'Archevêché
・ Théâtre de l'Atelier
・ Théâtre de l'Athénée
・ Théâtre de l'Île
・ Théâtre de l'Œuvre
・ Théâtre de la foire
・ Théâtre de la Gaîté
・ Théâtre de la Gaîté (boulevard du Temple)
・ Théâtre de la Gaîté (rue Papin)
・ Théâtre de la Gaîté-Montparnasse
・ Théâtre de la Huchette
・ Théâtre de la Madeleine
・ Théâtre de la Mode
・ Théâtre de la Porte Saint-Martin
Théâtre de la Renaissance
・ Théâtre de la Ville
・ Théâtre de Liège
・ Théâtre de Neptune
・ Théâtre de Neuve
・ Théâtre de Paris
・ Théâtre de Quat'Sous
・ Théâtre de Rosimond
・ Théâtre de verdure de Nice
・ Théâtre des Arts
・ Théâtre des Bouffes du Nord
・ Théâtre des Bouffes-Parisiens
・ Théâtre des Capucines
・ Théâtre des Capucins
・ Théâtre des Champs-Élysées


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Théâtre de la Renaissance : ウィキペディア英語版
Théâtre de la Renaissance

The name Théâtre de la Renaissance has been used successively for three distinct Parisian theatre companies. The first two companies, which were short-lived enterprises in the 19th century, used the Salle Ventadour, now an office building on the Rue Méhul in the 2nd arrondissement.
The current company was founded in 1873, and its much smaller theatre (pictured) was built that same year next to the Porte Saint-Martin at 20 boulevard Saint-Martin, in the 10th arrondissement. Besides performances of musical theatre, Feydeau's farces were first produced in this theatre, and plays by Victorien Sardou. Among the actors who triumphed there were Sarah Bernhardt, Eleonora Duse, and Raimu, later Agnès Jaoui and Jean-Pierre Bacri.
==1838-1841==

The first company to be called Théâtre de la Renaissance opened its doors in 1838 under the sponsorship of Victor Hugo and Alexandre Dumas, père, who wanted to have a location for mounting their historical dramas. The Salle Ventadour (built in 1829 for the Opéra-Comique) was used.〔Langham Smith R. Paris In: ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997.〕
On 8 November 1838, Hugo's ''Ruy Blas'' starring Frédérick Lemaître had a triumphant premiere, and the French version of Donizetti's ''Lucia di Lammermoor'' was produced there in August 1839. His ''L'ange de Nisida'', which was later reworked into ''La favorite'', was commissioned by the company, although never performed due to bankruptcy.〔Langham Smith R. Paris In: ''The New Grove Dictionary of Opera.'' Macmillan, London & New York, 1997.〕 In April 1839, ''L'Alchimiste'' and ''Paul Jones'' by Alexandre Dumas (also with Frédérick Lemaître) were staged, but, due to theatrical intrigues, it was forced to close in 1841.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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